Category: John Riley

Taken

by John Riley

HER DREAMS OF THE new neighbour were strange, perhaps out-of-body events.
Why does young love want to move out of a warm bed, morning sunlight filling the room, lying with your pregnant wife by your side, taking up the space?
“Oh… just then…”
Gemma, feeling the kick.
Martin rolled over, hooking himself up on one elbow.
“There, that one feel it?”
“No,” seconds later. “Yeah, that one just then, keen.”
His hand circled her lower belly, his touch soothing.
Martin leaned over and kissed her lips, drawing back onto his side, nuzzling up close and teasing her earlobe with his tongue. She giggled.
“I dreamt again, about the new neighbour.”
“Oh,” gripping the lobe between his teeth.
“Hey! Animal.”
Martin whispered into her ear. “Minx.” His hand wandered lower.
She moaned at the sensation.
“Honest I dreamt about him… I’m sure there were others.”
“What was he doing this time?”
“Wouldn’t you like to know,” teasing him.
“He’s gay, anyway he fancies me.”
“How does that make you feel?” She asked.
He turned onto his back. “Kinda flattered, you know another man thinking I’m hot!”
Her eyes were mocking, and her mouth smiling at him.
“Not you! I mean me, dreaming about our new neighbour. Are you jealous?”
They lay back, staring at the ceiling.
“Now, should I wear my lycra shorts to help him move that stuff he wants upstairs?”
“No!”
“Ha! Caught out! He’s mine Gemma Tate.”
Martin cuddled in closer, embracing her, Gemma returning his affection.
Ten minutes in, Gemma reluctantly said he had better sort the job out, then come straight back, and, don’t wash when he’d done, come to bed. She’d this thing for him all hot.
He held the embrace for a few more minutes, gave in to a sigh, and then slipped out of bed, deciding on tracksuit bottoms and a sports top. Gemma watched him.

He called to see if the neighbour now ready.

***

Gemma lay in the bed when Martin burst into the room.
She screamed, drawing up the bed sheets.
“It’s me, Gemma!”
She screamed again when he stepped closer. Martin panicking, frantic now crying.
He froze, holding up his hands to surrender. He wore the same clothes.
“Gemma, it’s me, please…” He pleaded.
He looked frail.
Maybe seventy in age.
Begging her to listen.
“Gemma, how long ago since I went next door?”
He looked so old. Her voice cracking. “What happened? Oh, God is this real? Tell me it’s a joke, who are you?”
“It’s me, Gemma.” His face and body turned old.
“It’s not a joke, please, how long since?”
She cried, how could it be real?
“Ten minutes!”
“I’ve left you for seventy years when I stepped in that house next door. He brought me back too late. I thought it some joke, is this real? Gemma! Where do I start to explain what’s happened?”

-end-

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Stan & Maud

by John Riley

“What time is it..?
“I’m losing track, Maud. What d’yer say..?”

“Maud..? ‘Bout time you had a wash…
“…I think we should go out…
“…maybe tomorrow, I’m thinking…
“I don’t trust anybody ’round here; don’t know who they are…
“How long have we lived here..? We worked hard to get this place… Used to be a nice street…”

“That front door does let in a January chill. I’ve boarded it up a bit more…
“I can’t open that back door, swollen too much… Haven’t got the strength now…”

“They’ve been banging on our front door again…
“Hey! Are you not going to drink that tea I’ve made you… It’ll be getting cold…
“I’ve had mine and taken the tablets…”

“Look at yer… yer look so funny… Y’know, once upon a time, you wouldn’t have dressed like that, would you..? You still look lovely to me…
“I say you look like you’re losing a bit of weight as well, ’round the…
“I don’t like people around here… I don’t go out so much… well, we both don’t go out much…
“We’ve got each other…”

“Ohh, mi leg… so sore, sore mother…
“I think cold in ‘ere shall I put the heating on? And find some wood for the fire… I think there’s something else we can burn…
“I’ve a piece of coal somewhere…
“I can still hear them outside… Her down the street, she’s a vulgar tongue…
“She says our house smells… more her dogs… big things; she lets them mess in our garden…
“Have I to put our record on? And should we talk again about the good old days..?
“I saved a few of the records, the ones we play more of… didn’t burn them in the hearth…
“I’ll have to find some more wood though…”

“Remember how we danced on the beach before the war came and took our George..?
“Oh, Maud, why did he have to die…
“Why did they make him go to war…?
“I know, Maud, I shouldn’t think back and get all upset…
“Aye, a tear, Maud, mard-arse ain’t I..?”

“What was that tune..?
“Shall we have a dance now, would you like..?”

“Maybe not yet…”

“Are you comfortable on that settee, warm enough..?
“You used to say, we need to move with the times, Stan… remember move with the times or we’ll get left behind…”

“What time is it? What day is it..?”

“I won’t put light on yet, don’t want to let them know…”

“I’ve been thinking about things again… and come to a decision…
“I’ll not let them take yer… You wait here with me… We’ll go together…
“See what I’ve found upstairs in an old drawer. Your old scarf and a couple of old pennies…
“I’ll place them on your eyes now and tie up your jaw and stop it slipping…”

“I’ll not let them take you in some box to be burnt… You rest in peace here while I wait for those tablets to take me as well!”

-end-

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An Enigmatic Smile

by John Riley

“It is quiet.
“It’s what they’re like, ain’t it museums?
“Quiet? D’yur not think?
“I’d thought they were no one here. I’ve seen the odd person out of the corner of my eye, wandering around the place.
“Hey! Come here, this is familiar.
“Ha-ha, there’s a lot of stuff in here that I know about.
“What the…
“Look at that? I used to have one of those bikes. My dad used to say I’d get piles riding a seat that thin.”

“There’s all sorts of things in here. I had one of them as well. I suppose a lot of us did, my generation.
“Wow! Whoa! Never! No, it can’t be…
“Now, I didn’t expect to see that…HOW?
“How did that get in here?
“I painted that.
“Yeah really…
“Yeah, that’s right, I painted it.
“I can’t believe it…How did it get in here?
“No, really, that’s my painting. How can my painting end up in this museum?
“Freaking me out that…
“I know there are other paintings out there in the other rooms, but this one, I remember this one…I painted it…I wonder if the school passed these things over for some exhibition?
“It’ll be a long time ago, I suppose.
“Can you tell who it is?”

“You don’t say much, do you?
“It’s me! When a young boy.
“Aye, take my word for it, that’s me.”

“Well, I never…
“You know, I think I can remember when I painted it.
“I’m not so sure how it’s here in a place like this…
“In fact, not sure what happened to all my stuff when taken away.
“Ha-ha, you don’t expect to see a picture you’ve painted in a museum you happen to be visiting.
“Oh yeah, now I think about it, I remember being asked to paint. By a teacher, how we see life ahead of us.
“We were only young… I know we’d asked to paint a portrait of ourselves. “Then, fill it with things around us. Things that predict our life ahead.”

“Looking at it now, what do I see? A cloudy grey sky… and is that rain I’ve drawn? It all looks a bit dark. At least I look as if smiling amongst this gloom. Hah…I must have been in my black period.”

“Never really left me, if truth be known, early teenage angst, eh. Look at all this black and grey.
“Well, I like that the sun is peeping through over there in this bit…and I am smiling.
“Makes me sad looking at it so long ago. Did I really have that sort of vision for the future? It looks bleak. I’m so surprised to see it here.
“You know, the time I painted that and me as I am now, it seems a lot has happened…Yeah, a lot happened…
“Life did turn out like that picture…bleak…lonely, the sun never did shine. “If it did, I never noticed. No…I never noticed…Too long living through the rain.”

“I’ve realised why I’m here.”

“I took my own life, didn’t I?”

“This museum, this place, I’m here to reflect on my life…A life taken before its time.
“I’ve got to go back, haven’t I?
“Thought so…Face those storm clouds, and get through it. Have to allow the sun to shine.”

“How many times have I done it?”

“That’s a lot.”

“Are all these other rooms containing reminders of my other lives? Have I ever made it to old bones?”

“I thought so…
“I have to return and head back now?”

“I do miss home. When can I go back to source?”

 

-end-

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Hammer Head Frankie

by John Riley

I’LL TELL YOU SOMETHING ABOUT Hammer Head Frankie showed up from a respectable outfit back in the day when honour meant honour. But as sure as Slim Jim’s got a hole where the sun doesn’t shine, here’s a true story. You’ll understand where I’m coming from?

He’s known as a hitman who packs heat. I mean, one hell of a mean bean shooter. This shadow reached great heights within a respectable family taking over the patch. He’s upset a few people, it happens, but then it would when you realise the actions of a man thinking on equal terms with the Boss upstairs in the big house.

Some real big influential people had a meet, movers and shakers in our line of work, work wrongly spoken about as villainy by the pack. I find that word misrepresents what we’re about. You follow me?

Hammer Head Frankie is this high-roller hitman. I ain’t badmouthing the man, ’cause in the past, let’s not forget, he’s showed dedicated service to men of honour; respect due and all that.

Well, it’s like this. Hammer Head Frankie found that after touching the ground where Psychotic Psychic Pete fell, after taking a massive hit from a Chicago Typewriter, he found himself with powers. You know, like powers, weird stuff, magic like crazy stuff, you follow me? Well, no matter, you gotta realise this guy freaked people out.

Jeez! This guy could do stuff and use this magic, like do hits, all nice and clean. I said it was weird. You gotta wonder about the nature of things after seeing this fella at work. It messes with your mind.

Let me tell you this part.

This runner brings him a photograph of the intended hit, and Hammer Head Frankie stares at it. Just friggin stares at it. I mean, he’s friggin staring at it.

Know what? This guy can alter a man’s future by staring back at his past. Ain’t that something? You think about that. This ain’t some dame pulling Slim Jim’s wire – and he’s a Goddam liar! We wanna be packing him soon in the meat wagon.

I tell you, Hammer Head Frankie can do this weird hit. He plants some fateful intention at the time the photograph is taken. Stares at it. And you know what? It catches up with the present. The hits soon deep down six! Just drops dead without a slug fired. I mean? Is that not someone at the very height of their profession?

Dangerous like, a man like that could get carried away. My Boss is not happy. And when my Boss ain’t happy, I’m not so happy. You gotta think a man like Hammer Head Frankie is a liability the way we do things ’round here.

So I’ll tell you what’s Goddam funny. Hammer Head Frankie didn’t recognise a younger photograph of himself and went and did his stuff on it. I wonder how he came by the photo?

Didn’t take long after he ran into a little bad intention, you might say.

-end-

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The Fiddler

by John Riley

AT NUMBER 69A MELROSE STREET, above the funeral parlour now belonging to Dawkins & Booth, old friends meet up in the evening. Flo makes an observation from her favourite vantage spot. Tucked away from sight, she is behind heavy-duty lace curtains.

“I see that fiddler’s there again, haunting the street corner every night this week if you please. Can you see him, Maud, from your little window?
…I don’t suppose you can. I haven’t been to your place for a while. Your room looks small when compared to ours, doesn’t it?”

Maud continues to stare into space.
“Oh, that was so bitter, Flo…Fair sour…Are these new?”

Flo looked beyond the curtain, a slight side glace at the remark.

“Mrs Warboys always puts hers on a nice side plate.”

Maud’s letting it out she had been a guest at her house. She leans forward, curious to check.

“I see you’ve been to that cheap shop. Were they out of date, Flo? Are they okay to eat, don’t want to be up all night, my ulcer gives me gyp you know.”

Flo ignored her. “Opps! I thought he saw me looking at him then.”
“Come away, Flo.”
“I don’t think he saw me, not sure he can behind these nets.”
“He’ll know you’re looking. Come and sit down.”
She doesn’t and stops by the window.

“I say, Maud you should see the way he winks beneath that pulled forward brim.”
“Can’t say I have, Flo.” She eyes up the offering. “My chocolate cake’s melted. Was that from the same place?”
“Yeah, help yourself to more tea. I just want to keep an eye on him. I wonder if he’s got the dog with the hearing aid. Our Bernie says, her George, has got aids in both ears!”

“Is he still there on the corner..? …Haven’t told you, our Denise said he’d spoken to her. Asked if there’s anything she’d like…”

“What!”

“Oh yeah, she said can you play anything by Adele? He said no, carried on playing, I’ll string along with you.”

“You know that was mother’s favourite tune, Maud.”

“How is she Flo, are you regretting it now?”

“Not same person, Maud. Wouldn’t recommend it for your Fred, best letting nature take its course.”

“Is she…”

“…Sleeping at the moment, downstairs. Took plenty of precautions, as you do. It’s all getting out of hand. Pour us a tea would you.”

“Is it me or can I smell something off?” Maud picked up something vile.

“Come away from that window sit down here with me. I feel I’m talking with my back to you.” She thought deeply. “You can’t keep them forever, I mean your Henry’s put up with a lot, you’re very lucky to have him agree for your mother to stop with you as long as she has, what’s he say?”

“Well, Henry’s talked me round to it, said we’ve to put an end to her.” Flo, looking anxious.

Maud surprised. “Oh goodness, bad as that.”

Flo wringing her hands. “He’s melting down her old Rosary cross, using that along with a post hammer and stake.”

“My goodness, Flo, you must be beside yourself with worry.”

“Been too much trouble, Maud, having that fiddler on the roof getting in through the skylight biting mother to give life beyond what’s natural.”

-end-

 

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In Death’s Keeping

by John Riley

Veritas lux me

SLENDER AND SLIGHT IS ELIZA. Born of sign Capricorn, she needed solace in quiet ways and wandered alone in places that people rarely frequent. For might a suitor draw towards a presumption? One so innocent and vulnerable needs another affection to cherish.

Oh, Eliza, whose radiance shone beyond her form, illuminated by the moon’s arc across the night sky. There are events fated to take place in a life so young and naïve of experience.

Entranced was Darius, a young poet and Piscean and soon besotted. For such grace with words and deeds, casting spells of joy in a lover’s heart.

In the heavens, do signs reveal a synastry? Eliza and Darius are star-struck, two families uniting.

Would not the ancients comply that both luminaries, alongside Mars and Venus, foretell of lovers? But would they not also observe and take note of shadowy Saturn’s sorrowful influence on each life mapped at birth?

Each shall devote their love long through eternity even though promised until death does us part.

Sweethearts soon pronounce before the altar that they are husband and wife, sealed and bound by custom a ring and kiss.

Too brief is the year for newlyweds. Spring had arrived, then passed on with little sunlight and icy winds to nip back tender shoots.

Summer is suppressed by grey-laden days and deep lows that bring rain.

Autumn gives way too long a winter and misery.

Born out of a January chill consumption and death. A thief in the night and a widow alone. Lost forever is young love.

Saturn came out of the shadows.

A family cemetery whose plots are draped with misty cobwebby veils. Where the remains of a fence are splintered and bone that no longer protects from the encroaching unhallowed ground.

‘Tis a place unloved those final resting tombs of the family Lunanoir. Buried deep in solitude and abandoned beneath clods of heavy sod.

No parent, widow or widower, shall bear standing at these graves in deep contemplation. Weeping amongst this gloom of ancestral woe, save but one, Eliza.

Four seasons long grieving and lamentable song lain over her lover’s grave, she gives her soul to be with her Darius. He now six deep and clothed in oak and Eliza behind black and sorrow weeping day and night.

Retreating from family and life confined in a north-facing, sparsely furnished room, lit by a small fire and bedside lantern.

She comes and goes, fleeting as a memory. The family Lunanoir yield and accept her malady. Never is she spoken of in conversation, never more.

This late hour on All Hallows’ Eve, Eliza upon her lover’s grave, reciting from her troubled heart sorrowful prose. Swearing allegiance, promising her soul and no different on the evening’s new moon.

Upon midnight at the toll of the cemetery bell, when uttering the last of words, enters a stranger. It is all withered and buckled, appearing out of the night shadows.

It calls out for forgiveness and acceptance for startling a troubled widow.

He comes with a proposition, a passage beyond to take her where lover now remains in a place called limbo.

His master has taken pity and caught the cry from a heart deep as a water well. This stranger brings a revelation to Eliza’s graveside vigil.

In a wooded thicket, dense and complex, she weaves through intricate maze-crazed paths, following and meandering amongst the briar and nettle.

Eliza keeping near to the buckled-back stranger.

The darkness grows and spreads and reaches far in this place while upon the night air, old corruption remains. Eliza turned and looked sideward and checked back at the trodden track. For she felt things were watching and drawing near.

Then, a twinkling through the woven mass of wood. The stranger makes haste to a clearing and enters through a modest wooden gate.

In view is the manor house, hidden from the mortal world. A house of faded wear, lanterns lit from every window.

Eliza is now a figure alone, approaching the grand front door.

She stands before the door and is surprised when opened by a long-since dead relative in faded velvet and cloth, peppered with chalk-white dust.

Stepping across a threshold and gestured to move beyond, not noticing the others out at the side of the spacious hallway and staircase.

Her sights were dewy, fixed upon her lover, radiant and reaching out with open arms to embrace and seek solace.

The ensemble stands and marvels, witnessing a joining together. Coveted with joy, sadness no more, and Eliza seeking this moment to last an eternity.

Tempting they are for her to embrace and kiss those lips so denied when in his final sleep. Yearning is she for his caress.

She cannot resist and takes one final glance at others, smiling and willing to fulfil that passion.

Yet, in the corner of her eye, at the front door, did she spy a demon? Upon facing it, no, but smiling Uncle Hathaway, who had died when she had turned twelve.

She can wait no longer, rushing to Darius’s open arms that close around her and hold his bride.

Then a voice familiar, loud and pleading from outside the front door not to kiss dead lips for she will become the Devil’s bride!

Unable to cross the threshold is the spirit of Darius.

See that your real love stands outside. He tells the Devil, Eliza gave her soul to me. I am Darius, so go, Old Deceiver, by the rites of this place, you have no command over the soul of Eliza! She has not taken you to her heart now be gone!

The Devil’s spell is broken.

So it is in slumber Darius will wait until Eliza embraces death’s repose, and they lie together beneath a wild briar rose.

-end-

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