Tag: John Riley

UFO, Covens and a Lion’s paw

 

First things first…

I’m not one for jumping straight in with conclusions but the recent spate of missing hens makes one wonder if it is all just down to foxes.

I think the mysterious daubing of blood on windows and some front doors along with strange ritualistic looking amulets makes one wonder. I mean these objects look crafted out of animal bones as well as twigs bound together and dressed with feathers. Come on, it stretches the imagination to try to blame this on some cunning foxes. We’ve a coven practising magic somewhere.

I knew of a group feeling the wrath of some farmer many years ago. The farmer had discovered a group daubed head to toe in butchered hen’s blood banging on a Tom-Tom adorned with a necklace of feathers. A rather heavy aromatic smell of pot filled his barn. Gawd! Was he mad.

It didn’t help according to the news report of the leader telling the farmer to ‘chill out man.’ Not the sort of thing to say to a wound up, high blood pressured farmer, ready to blast shot from his weapon of choice that early morning. I believe the farmer’s about 18 months left on his sentence.

You know I’ve still got that lion’s paw, don’t know where the Magus is to give it back. It’s all very reminiscent of that story – The Monkey’s Paw. Anyway, at least I wasn’t holding the damn thing when I made that unguarded wish.

I do come across some unusual things regarding folklore and superstition, not sure if this would fit into old folklore but let me run this by you for the moment.

I’m told if you take a photograph of someone and judging by the outcome of this I assume you’re taking a snap of somebody you don’t particular see eye to eye. Take the picture you’ve printed, or in my day received a set of box brownie unfocused, under-exposed, amateurish set back from the developers. Take the 6×4 prints and display it upside down. Apparently the subject will then have a blinding headache. Why am I telling you this?

Right, well that wasn’t a bad cup of tea out of Brenda’s thermos flask, let’s see if Seth Spindlestone is in this time. I’ve tried a few times to catch him in his house. I’m sure he said meet me at eleven.

I’m in Ilkley by the way trying to meet up with Seth. I’ve only spoke with him on the telephone. Ah, it looks like I’m in luck; I bet that’s him sat on the garden bench. I’m approaching the cottage terrace, its beautiful catching a warm sun across its face.

“Seth Spindlestone, Willoughby Bedford.”
Silence.
I don’t seem to be getting a reaction. Maybe I’ve got the wrong man.
“Willoughby Bedford, here to meet a Mr Spindlestone.”
I wait for the reaction while he puffs on his pipe.
He’d a white natty fedora hat with striped band, off white linen jacket and high-waisted, belted trousers. I’d say he was 80; a well-rounded person would be a polite way to put it.
A few more puffs on his pipe and then the pronouncement.
“…’appen you are… na then… whe’d tha ‘bin I’ve bin wai’n on yur.”

I thought better not to challenge a Yorkshire man.
“I can tell tha’s not from Yawkshire.” He remained sitting and me standing.
“Spot on.” I said.
“You never ask a man if he’s from Yawkshire ’cause if he is he’d told yur already.”
He offered me the seat next to him and we gazed out on a tranquil scene of cottage flowers and shrubs placed in terracotta pots.
“What a lovely place you’ve got here, so unspoilt.”
“Aye champion.”
The pipe smoke hung around us, a not unpleasant aroma, but still rather strong. I coughed a little. Mr Spindlestone turned to face me exposing teeth clenching pipe in place.
“Na’ then, yur say thee no brass, ah well, sounds loike gaffer ain’t got owt to give. Go on I’ll tell yur tale now yur ‘ere.”

Not so much a ghost tale but more a strange tale of UFO’s and ET. I sat with Mr Spindlestone in the peaceful south-facing corner of his cottage terrace, sipping homemade lemonade without a charge for it and heard his tale.

“I’d a friend who’s a retired police officer. Went on t’ moor to take a picture of queer lights reported o’er tops. Anyhow seems he’d prepared well, got reight film stock for low light or sommut loike tha.”
He stopped a moment attending to his pipe. It had gone out again.
“Bacca’s na bin stored proper, gotten damp.”
He looked at me as if it were my fault.
Finally getting the pipe glowing he continued.
“Anyhow, it were back-end of year. Reight foggy up there. Seems he wa’ frie’ten’d by spotting a little grey man. Loike nowt he’d ever seen. Them wrap round eyes.”
Seth started to gesture to emphasis the point.
“Big head, three fat fingers on each hand and V shaped feet. I’d been fair capped wi’ ‘im. Run a bloody mile ne’r mind taking a photo of it, eh Willoughby.”
I didn’t answer.
“Anyhow, seems he’d got a photo of tha’ critter. Reckons he got taken on board one them flying saucers.”
He puffed on his pipe deep in thought.
“I’d have clouted little bugger if tha’ ‘ad been me.”
“What of the photograph Mr Spindlestone?”
“Were tested by labs apparently. Yur know Kodak or was it Agfa, dunno even sent it to America.”
“What was the result do you know?”
“They reckon photograph hadn’t bin interfered with. Na than, what do ‘ur make o’ tha, Willoughby? Little grey men on t’ moor.”

Well it made an interesting tale I continued to talk with Mr Spindlestone and provide the following link to the story make of it what you will… Ilkley Moor UFO

by Willoughby Bedford/John Riley

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The Ballad of a Last Goodbye

by John Riley

Arising from the fall, I stand and watch those gathering in burnished rays of setting winter’s sun while I see a tense young man break free at a headlong fast pace, bloodied hands stuffed down in pockets.

Beyond that fatal slaying, I pass a life, halfway by reckoning, and reaching out for the stars is this old choirboy singing his lot beneath rasping breath.

It’s time. I must depart and call upon old haunts a final time.

In a simple furnished room, authorities break the news. My young widow holds her face in the palms of her hands.

Upon your pillow, let me place that pressed flower you picked for me in the spring when we were betrothed and kept close to my heart.

It’s time now; I must go and leave you to discover that pressed gift beyond the veil, for death does us finally part.

-end-

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The Soul Collectors

by John Riley

A manic dash, driven hard at the closeness of a death rattle, this black polished carriage, horse drawn by black plume crested stallions clattering down marble hallways lined with damask wall coverings upon which are suspended portraits of the dead that now haunt these rooms.

At giddy speeds, we are approaching, hollering and screaming our intent, echoing far to those who can hear that cold slap-back reverberation.

Tossed hither and thither in the wake of this thunderous carriage. Time to suspend and look down the stairwell at mournful figures around a figure inverted upon the stone steps with head beneath still water, arms stretched out to the sides and broken body upon the staircase.

At breakneck speed, carriage wheels bounce and strike each step’s edge as devil’s horses bear down upon the mortals below. Thrown are we that remain trapped on our journey, tossed from side to side, tipping at every rise and fall, violently flung are we at each right angle quarter turn descending further down to our prize.

An old piano, abandoned by that near-drowned soul, still playing its adagio to a trapped mad mortal, bedridden, in a room given over to waiting shadows. He’s not for the devil, but that broken figure, attempting to take his own life, teeters towards its damned soul ending life too soon.

Let not those mourners resuscitate from limbo before we’ve had time to collect. Death is approaching fast, for we are soul collectors for all those ending mortal life before their allotted time.

At the passing of the hour, a life is saved from us, and if it remembers by some haunted nightmarish dream the soul collectors were with a death rattle’s breath to snatch it away to eternal damnation, be warned, all you, that it is never an answer.

-end-

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William Wolfenden

by John Riley

I watch a werewolf moon rise, and somewhere from the back of beyond, I feel sure it is a dog hollering mournfully?

Is that a night chill or something else rising in the flesh?

Those deep and dark pine forests, spikey tall along the edge of craggy mountainous ridges, hide things best not thought about.

Back over the way, not wishing to linger over things distant, the belfry bats take flight, devouring the night air with their screeching during the tolling of the passing bell. I tell you, from where I wait, in the shadows, something is moving, away there to my left.

My gawd! Grim and mournful are six hunched figures. Walking dead slow until eventually and under much strain, they lower a chained iron bolted coffin deep down six on this chilled November night.

Intent set firm and sealed, I, to witness it so, and might I add, the six determined to stop what inside from ever getting out.

There isn’t much to stop this gathering from staying longer than necessary. I bet hastily to leave with a promise of ale. I’ll wager money on it, for sure.

A storm lantern is raised at arm’s length and waved to indicate the signal. The unkempt gravediggers stir from their rest, preparing to spade in heaps of topsoil.

The signal comes again, a nod from the lantern bearer. The six men heave spade loads into the grave without so much of a break to wipe the brow.

In minutes, the undead entombed.

The six turn to catch the flame. Haunted lined faces, cut deep, sworn they were to deliver the ritual, and now each one, head bowed, skulk off into the darkness.

We remain in hushed silence that all is safe. We wait under that single moonbeam.

How can it be?

The unhallowed ground looks to be rising and turning. A clawing, then the hand, reaching with another to make way for the head, then next to the body. My God, from the grave, free, this creature of filth gasping at the night air.

Yes, William Wolfenden, what a man, escapologist from Barnum Flowers Circus of Human Oddity Acts, taking his bow before the assembled audience.

-end-

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Above Ground part four

by John Riley

iv

Above Ground

Sam eye-balled the mangled mess of a boy racer wrapped in car metal before stopping at the diner. Lugging a punch-drunk suitcase and a head full of appointments reckoned on the lost soul at the back could be the guy called Joe.

The gum-chewing waitress in pink nylon took the hint, carrying on cleaning tables and looking back at them in that suggestive way.

Joe clamped his mouth shut and never looked up when Sam slid onto the seat.

Sam eyed up the lad, gave him a moment, then an offer spoke real low, like if not wanting to be overheard.
“Nasty mess back there, crashing out of life so soon after me helping you out back there. Your soul is property of another you know, anyhow, what will you sell for another chance of life?”
Joe, thinking through a long list. He passed over a name.

Sam sat laughing, a sidelong glance at the waitress. “You got a deal, get in the suitcase, I reckon I’ve found you another body.”

On the jukebox, playing quietly again, Blue Velvet.

-end-

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Above Ground part three

by John Riley

iii

Below Ground

He never could play the piano, always wanted to, so what a bit of luck when a man with an old battered suitcase turned up on the doorstep. The wife answered.
“Hey, get this, Hughie, this guy wants to grant a wish for some deal.”
No answer.
“Hughie, you hear me?”
He shuffled up beside her, his face in permanent strife, giving her that stare as to the reason for disturbing him reading his newspaper.
“Let me deal with this,” pushing his way around her.
“Son, I ain’t got time, not interested in what you sell.”
Mr Bainbraker then attempted a thin smile, coaxing his wife back inside and just about to close the front door.
“Sir, I shall pay you 100 dollars, here and now, if I do not give you what you have always wanted. To play the piano? Right now, I shall grant you a wish to escape into a world of music. You always wanted to play the piano, just like your Ma did.”
“What bottle did you escape from?”
He turned back to his wife.
“What have you been telling him?”
“Nothing, he told me you always wanted to play.”
“Sir, give me a minute. All I need is for you to donate your soul when you die to the cause. Simple as that, and I shall bring you a dream fulfilled. If I fail, to give you what you want, then I shall pay you. You have my word.”
He reached down and pulled out a wad of dollar bills.
Mrs Bainbraker’s eyes lit up. Mr Bainbraker chuckled.
“Hell, boy! I ain’t got much use for my soul after I’m gone. When dead, you’re dead. You don’t believe in all that hogwash about an afterlife?”
The money did look like an attractive prospect. They could do with it after what both had been through.
Sam smiled.
“Well, not for me to say Mr Bainbraker, now to business.”

At the end of the deal, Mr Bainbraker was thrilled to hear himself play the piano beautifully as ever he could imagine. He couldn’t believe it. Hellfire! The guy had given him the money. Forced him to take it as an extra gesture.

However, to Mrs Bainbraker, the piece her husband played sounded no different to what it always sounded like. A riot of discordant noise. Anyway, she got her wish and now preoccupied with how she looked in the mirror. She looked so young, even though 80 years of age. Well, anyone seeing what reflected would take issue with what promised and what is real.

part four click here

The Ghostly World Fictional Ghost Stories

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