Category: John Riley

The Burnsall Fairies

Willoughby Bedford’s Journal – investigating superstition and folklore

I managed to catch up with Albert Clifton in the small village of Burnsall, 6 miles north of Skipton. The area is surrounded by beautiful countryside and the little B roads that criss-cross the area take you around what is home to many a pixie and fairy haunt.

Albert took me to see Elbolton Hill which is supposedly a haunt of fairies. I must say it all reminds me of the tale of the Cottingley fairies. We sit down with a hot sun on our backs and Albert tells the tale.

It seems that a local man of these parts found himself on his way home after frequenting his local inn. Well he caught sight and started watching a group of the little folk enjoying themselves in the moonlight. The creatures were a dancing and celebrating. So the local man kept himself quiet while he watched with excitement at what was before him. But in his excitement he did forget himself and yelled out in broad Yorkshire dialect. “Na’ then, Ah’ll sing a song if tha loikes.”

Well the fairies were furious at his interruption and beat him so soundly that he was bruised for days afterwards. Apparently this is what the little folk do if disturbed. The man claimed to tell everyone who questioned him what he’d seen and how he’d ended up so battered and bruised?

I kept my thoughts to myself. Albert’s eyes were a glinting. Bruised, I bet he met with an accident rolling down this hill after one too many of the strong Yorkshire brew they serve in these parts.

now you’ll excuse me while I make on call on a certain individual about an overdue borrowed book, yes my Edgar Allan Poe’s book, Valentine Heart!

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The Storm Ghosts (Audio Version)

Here is the audio version of The Storm Ghosts, a short monologue from The Field Guides to the Ghostly World.

for written transcript see post here The Storm Ghosts

The Ghostly World Fictional Ghost Stories

 

The Ghostly World Journal

by John Riley

When old of age and looking into the glass and see but a little of what I was, and know that ahead in time and season would if I could make the world a little younger.

For I shall not have walked alone in reflective mind and taken that path of rock and stone.

Hello again, that we meet on a day of such brightness that without conversation without announcement, I know of your spectral presence.

For in this morn of spring, the awakening of dawn, I, bound, with the bleakness of a winter’s season, searching for shelter, that I might find but one moment.

Would it be better to have given another, who could have lived and expressed love in ways I denied? For why not have set me with a heart of ice than a heart that feels and knows pain. Better that, I not feel a life of loneliness.

That I wander through this life as a phantom existing beyond your threshold. That we at times might see of one another and brought close to know one another. Yet the truth remains, we are but long seasons apart and you destined to love another.

A familiar refrain that I greet you, the darkness, and talk with you again.

-end-

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UFO, Covens and a Lion’s paw

 

First things first…

I’m not one for jumping straight in with conclusions but the recent spate of missing hens makes one wonder if it is all just down to foxes.

I think the mysterious daubing of blood on windows and some front doors along with strange ritualistic looking amulets makes one wonder. I mean these objects look crafted out of animal bones as well as twigs bound together and dressed with feathers. Come on, it stretches the imagination to try to blame this on some cunning foxes. We’ve a coven practising magic somewhere.

I knew of a group feeling the wrath of some farmer many years ago. The farmer had discovered a group daubed head to toe in butchered hen’s blood banging on a Tom-Tom adorned with a necklace of feathers. A rather heavy aromatic smell of pot filled his barn. Gawd! Was he mad.

It didn’t help according to the news report of the leader telling the farmer to ‘chill out man.’ Not the sort of thing to say to a wound up, high blood pressured farmer, ready to blast shot from his weapon of choice that early morning. I believe the farmer’s about 18 months left on his sentence.

You know I’ve still got that lion’s paw, don’t know where the Magus is to give it back. It’s all very reminiscent of that story – The Monkey’s Paw. Anyway, at least I wasn’t holding the damn thing when I made that unguarded wish.

I do come across some unusual things regarding folklore and superstition, not sure if this would fit into old folklore but let me run this by you for the moment.

I’m told if you take a photograph of someone and judging by the outcome of this I assume you’re taking a snap of somebody you don’t particular see eye to eye. Take the picture you’ve printed, or in my day received a set of box brownie unfocused, under-exposed, amateurish set back from the developers. Take the 6×4 prints and display it upside down. Apparently the subject will then have a blinding headache. Why am I telling you this?

Right, well that wasn’t a bad cup of tea out of Brenda’s thermos flask, let’s see if Seth Spindlestone is in this time. I’ve tried a few times to catch him in his house. I’m sure he said meet me at eleven.

I’m in Ilkley by the way trying to meet up with Seth. I’ve only spoke with him on the telephone. Ah, it looks like I’m in luck; I bet that’s him sat on the garden bench. I’m approaching the cottage terrace, its beautiful catching a warm sun across its face.

“Seth Spindlestone, Willoughby Bedford.”
Silence.
I don’t seem to be getting a reaction. Maybe I’ve got the wrong man.
“Willoughby Bedford, here to meet a Mr Spindlestone.”
I wait for the reaction while he puffs on his pipe.
He’d a white natty fedora hat with striped band, off white linen jacket and high-waisted, belted trousers. I’d say he was 80; a well-rounded person would be a polite way to put it.
A few more puffs on his pipe and then the pronouncement.
“…’appen you are… na then… whe’d tha ‘bin I’ve bin wai’n on yur.”

I thought better not to challenge a Yorkshire man.
“I can tell tha’s not from Yawkshire.” He remained sitting and me standing.
“Spot on.” I said.
“You never ask a man if he’s from Yawkshire ’cause if he is he’d told yur already.”
He offered me the seat next to him and we gazed out on a tranquil scene of cottage flowers and shrubs placed in terracotta pots.
“What a lovely place you’ve got here, so unspoilt.”
“Aye champion.”
The pipe smoke hung around us, a not unpleasant aroma, but still rather strong. I coughed a little. Mr Spindlestone turned to face me exposing teeth clenching pipe in place.
“Na’ then, yur say thee no brass, ah well, sounds loike gaffer ain’t got owt to give. Go on I’ll tell yur tale now yur ‘ere.”

Not so much a ghost tale but more a strange tale of UFO’s and ET. I sat with Mr Spindlestone in the peaceful south-facing corner of his cottage terrace, sipping homemade lemonade without a charge for it and heard his tale.

“I’d a friend who’s a retired police officer. Went on t’ moor to take a picture of queer lights reported o’er tops. Anyhow seems he’d prepared well, got reight film stock for low light or sommut loike tha.”
He stopped a moment attending to his pipe. It had gone out again.
“Bacca’s na bin stored proper, gotten damp.”
He looked at me as if it were my fault.
Finally getting the pipe glowing he continued.
“Anyhow, it were back-end of year. Reight foggy up there. Seems he wa’ frie’ten’d by spotting a little grey man. Loike nowt he’d ever seen. Them wrap round eyes.”
Seth started to gesture to emphasis the point.
“Big head, three fat fingers on each hand and V shaped feet. I’d been fair capped wi’ ‘im. Run a bloody mile ne’r mind taking a photo of it, eh Willoughby.”
I didn’t answer.
“Anyhow, seems he’d got a photo of tha’ critter. Reckons he got taken on board one them flying saucers.”
He puffed on his pipe deep in thought.
“I’d have clouted little bugger if tha’ ‘ad been me.”
“What of the photograph Mr Spindlestone?”
“Were tested by labs apparently. Yur know Kodak or was it Agfa, dunno even sent it to America.”
“What was the result do you know?”
“They reckon photograph hadn’t bin interfered with. Na than, what do ‘ur make o’ tha, Willoughby? Little grey men on t’ moor.”

Well it made an interesting tale I continued to talk with Mr Spindlestone and provide the following link to the story make of it what you will… Ilkley Moor UFO

by Willoughby Bedford/John Riley

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The Ballad of a Last Goodbye

by John Riley

Arising from the fall, I stand and watch those gathering in burnished rays of setting winter’s sun while I see a tense young man break free at a headlong fast pace, bloodied hands stuffed down in pockets.

Beyond that fatal slaying, I pass a life, halfway by reckoning, and reaching out for the stars is this old choirboy singing his lot beneath rasping breath.

It’s time. I must depart and call upon old haunts a final time.

In a simple furnished room, authorities break the news. My young widow holds her face in the palms of her hands.

Upon your pillow, let me place that pressed flower you picked for me in the spring when we were betrothed and kept close to my heart.

It’s time now; I must go and leave you to discover that pressed gift beyond the veil, for death does us finally part.

-end-

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The Soul Collectors

by John Riley

A manic dash, driven hard at the closeness of a death rattle, this black polished carriage, horse drawn by black plume crested stallions clattering down marble hallways lined with damask wall coverings upon which are suspended portraits of the dead that now haunt these rooms.

At giddy speeds, we are approaching, hollering and screaming our intent, echoing far to those who can hear that cold slap-back reverberation.

Tossed hither and thither in the wake of this thunderous carriage. Time to suspend and look down the stairwell at mournful figures around a figure inverted upon the stone steps with head beneath still water, arms stretched out to the sides and broken body upon the staircase.

At breakneck speed, carriage wheels bounce and strike each step’s edge as devil’s horses bear down upon the mortals below. Thrown are we that remain trapped on our journey, tossed from side to side, tipping at every rise and fall, violently flung are we at each right angle quarter turn descending further down to our prize.

An old piano, abandoned by that near-drowned soul, still playing its adagio to a trapped mad mortal, bedridden, in a room given over to waiting shadows. He’s not for the devil, but that broken figure, attempting to take his own life, teeters towards its damned soul ending life too soon.

Let not those mourners resuscitate from limbo before we’ve had time to collect. Death is approaching fast, for we are soul collectors for all those ending mortal life before their allotted time.

At the passing of the hour, a life is saved from us, and if it remembers by some haunted nightmarish dream the soul collectors were with a death rattle’s breath to snatch it away to eternal damnation, be warned, all you, that it is never an answer.

-end-

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